heathen

Ten years after release

Doglegs

A film by Heath Cozens

No pity… no mercy!

I want to fight well, win… go on a trip with my friends… and then ‘dot-dot-dot’.
Sambo Shintaro, on his New Year’s resolution
Sambo Shintaro makes his entrance in a robe and headband

Screenings

Bring it to your city

Doglegs is a film to watch with a crowd. Ten years after its release, it’s going back on the big screen as an event: the film, then a conversation with Heath.

Cinemas, festivals, universities and clubs. If you have a room and an audience, let’s talk.

Bring Doglegs to your city
The crowd at ringside at a Doglegs show, many in wheelchairs, laughing
Ringside at a Doglegs show, Tokyo

The film

How should you look at it?

Watch the trailer

Own the filmSoon, with extras. Hear first by email.

In a renegade Tokyo pro-wrestling league called Doglegs, the disabled battle the able-bodied in the name of smashing stereotypes. After 20 years of glory, the group’s star dreams of life beyond the mat. But his mentor isn’t letting go without a fight…

Doglegs began in Tokyo in 1991 as a volunteer group for the disabled. A young Shintaro and another disabled man locked horns over a girl, a volunteer who’d been helping out. Egged on by the others, it came to blows.

It was more than a duel. It was an awakening: a reaction to the coddling, condescending expectations of polite society. Yukinori Kitajima, the group’s volunteer organizer, turned it into a wrestling league for the disabled.

Its wrestlers don’t hide their faults or imperfections, and they don’t let their differences define them. Everyone in the ring and behind it is a volunteer, fighting for self-actualization, not money.

Director
Heath Cozens
Running time
89 minutes
Language
Japanese, with English subtitles
Premiere
Hot Docs, 2015
Give me your best shot… and I’ll give you mine.
A lecturer who has followed Doglegs for six years, to her students

The people

Twenty years of glory

Sambo Shintaro, laughing

“Sambo” Shintaro

The star of the show, and the film. After 20 years as Doglegs’ star fighter, he dreams of a respectable life beyond the ring, and of hooking up with a certain special lady. But before he can hang up his gloves, his friend and nemesis “Antithesis” Kitajima has a diabolical ultimatum…

Antithesis Kitajima at ringside

“Antithesis” Kitajima

The group’s volunteer leader: a searing intellect behind the scenes, and a brute in the ring. He’s touted as “the man who has beaten up the disabled for twenty years”. He believes that fighting the disabled without kid gloves is a sign of respect.

Yuki Nakajima

Yuki Nakajima

How do you get respect if your disability is invisible? Outwardly ‘normal’, but clinically depressed, Yuki Nakajima seeks recognition and respect. But depression and wrestling can be a volatile mix.

L’Amant and Mrs. L’Amant, laughing

L’Amant and Mrs. L’Amant

Cross-dressing legend L’Amant (“The Lover”) has severe cerebral palsy, for which he self-medicates, despite strict doctor’s orders to lay off the bottle. He’s promised his wife and son he’ll die in the ring. Mrs. L’Amant is torn between preserving his autonomy, or his life.

Shintaro and his mother laughing at the kitchen table
I’m… I’m in it… to win it.
Sambo Shintaro, to his mother

In the press

WinnerBest Director: DocumentaryFantastic Fest
Hot Docs
Cleveland International Film Festival
New Zealand International Film Festival
Nippon Connection
Guangzhou International Documentary Film Festival
Fearless, challenging, provocative, and touching in ways you will never see coming.
Richard Whittaker, The Austin Chronicle
Always involving and sometimes deeply moving.
John DeFore, The Hollywood Reporter
One of the most powerful blasts of empathy and humanity I’ve ever experienced.
Jason Lapeyre, director of I Declare War

The filmmaker

Heath Cozens

Multiple award-winning director. Former travelling puppeteer.

Heath grew up in New Zealand, where he worked as a travelling puppeteer teaching disability awareness, made short films and worked in TV. He graduated from Victoria University with a film degree in 1996 and moved to Japan that same year, producing, directing, shooting and editing news, documentaries and commercials. He came across Doglegs in 2009.

Now based in Los Angeles, he makes films about people who define reality on their own terms.

  • Doglegs — Best Director, Fantastic Fest. World premiere at Hot Docs. Runner-up for the Golden Kapok, Guangzhou. Also Cleveland, New Zealand and Nippon Connection. Six months in Japanese cinemas, then broadcast on Japanese TV.
  • Only I Can Hear — Grand Prize for Documentary Film, Japanese Agency for Cultural Affairs Film Awards. Jury’s Special Award, Breaking Down Barriers. World premiere at Hot Docs; also Doc Edge, TokyoDocs and ReelAbilities. Broadcast on NHK.
  • The Extended State — A film about DMTx, extended-state DMT. Filming since 2019.
  • Ex Luna — Co-directed with seven-time Emmy winner Michael Werner. From Apollo to Artemis, with a national PBS broadcast commitment.

Cozens’ work has been featured by the BBC · The Guardian · The Economist · The Wall Street Journal · The Washington Post · Los Angeles Times · The Hollywood Reporter · VICE · Reuters · AFP · Al Jazeera · NHK

I want to be happy.
Sambo Shintaro, on the year ahead

Make contact

Get in the ring

When Doglegs played Fantastic Fest, I worried it would come across as a gross-out freak show for genre geeks. Instead, the audience saw themselves in it. That’s where the film found its people.

It has a lot of humour, a lot of love and a lot of high-minded fuckery. Ten years after its release, I want to share it again: on big screens, in lecture halls, with a conversation after.

If you have a room and an audience, or you just want to own the film, write to me.

Heath

Write to Heath

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